Sunday, September 24, 2017

Explorations in Media Ecology

As you may know, Explorations in Media Ecology is the official journal of the Media Ecology Association, and I launched the journal, together with Judith Yaross Lee, almost two decades ago. We published our first issue in 2002, Judith and I co-edited the first three volumes, and I went on to solo edit the next three. After that, I turned the journal over to other editors, notably Corey Anton and Paul Grosswiler.

So, as it turns out, the next editor of EME was unable to take the reins due to other commitments (something trivial, like a college presidency), so I stepped in at the last minute, and returned to the position of journal editor earlier this year. I hope you don't mind if I tell you a little bit about what I'm doing, and then share the call for papers here.

In my view, putting together a good team is essential. That started with the Managing Editor, and I was pleased to be able to recruit Callie Gallo, who is teaching and pursuing a doctorate in English at Fordham University, and is a fine young media ecologist in her own right. She is the journal's equivalent of the White House Chief of Staff, and has both  detail-oriented skills and a global perspective, a rare combination indeed. As we went through the transition from the previous incoming editor, we found that his Editorial Assistant, Joshua Hill, was a great help, so we invited him to stay on, focusing his attention on the first round of copy editing, before articles are sent on to our publisher, Intellect, to smooth the way for their own process of copy editing and layout. Josh's expertise being in composition, his expertise makes a valuable contribution to our efforts, so we are quite pleased that he has been willing to stay on.

One of my goals is to produce a much better book review section than we've had in the past. I really think that book reviews are much more than filler, that they're an important contribution to scholarship, often underrated, and that for EME it is an especially important way to cover new developments in the field of media ecology. To that end, we're in the process of doing a lookback, going back about seven years, to publish reviews of books of particular relevance to the field of media ecology that have been previously overlooked by our journal, along with recent additions of course. I initially recruited my old friend and media ecology fellow traveler, and fellow past president of the New York State Communication Association, Susan Jasko of the California University of Pennsylvania, but her duties as a new department chair proved to be too much to juggle. 

For this reason, I am pleased that Roy Christopher has agreed to serve as our new Book Review Editor. Roy is on the faculty of the University of Illinois, Chicago (and has some experience managing book reviews, as you can see from my recent posts Summer Reading for Roy Part 1 and Summer Reading for Roy Part 2).

Along similar lines, the slot of Pedagogy Editor is being filled by Heather Crandall, a professor of Communication Studies at Gonzaga University (a Jesuit school like Fordham University), who has also been director of their MA program in Communication and Leadership Studies. The original idea for the pedagogy section, that I remember talking to Judith Yaross Lee about when we started it up, was to have articles that specifically addressed the pragmatics of the classroom, the kind of thing that more recently has been referred to, at least in communications circles, as GIFTs—Great Ideas For Teaching. So our aim is to be able to publish articles that discuss how to go about teaching media ecology, resources, exercises, assignments, and teaching strategies.

A third category of contribution that has been included in the journal since the first issue is what we call Probes, a term taken from McLuhan, and the original idea was to include short think pieces or provocative items, or even something diagrammatic like McLuhan's tetrads. Probes allow for items that do not necessarily adhere to rigorous academic standards and anonymous review, but that are otherwise insightful and intellectually stimulating. Previously, EME editors have taken direct charge of evaluating and soliciting probes, but we decided it was time to make Probes a section unto itself, with its own Probes Editor, and it was truly marvelous that Nora Bateson was willing and able to fill that position. Nora is the Founder and President of the International Bateson Institute in Sweden. We then decided that adding a co-editor for this section would make sense, and Michael Plugh of Manhattan College has agreed to take on the task. Mike is a former MA student of mine, and former Fordham University colleague, and fellow Media Ecology Association officer (in charge of our online communications).

In the past, EME has published poetry under the heading of probes, and to broaden our horizons, and also to recognize that there are other ways to further our understanding than the standard academic article or essay, we decided to add a new section devoted to poetry and other forms of creative expression, with Adeena Karasick as Poetry Editor. Adeena is a world renowned poet and performance artist, and professor at Pratt Institute.

Another new addition, a feature that I've seen here and there in other journals, is the forum, a section where several scholars address a particular topic, providing short essays or opinion pieces. This provides a great opportunity to get several different takes on the same question, issue, or theme, and we're fortunate that John Dowd, Professor of Communication at Bowling Green State University, has agreed to serve as Forum Editor. Here too, we then decided to add a co-editor to improve productivity, and I am very pleased that we are to add Emanuela Patti to our team. Emanuela is affiliated with Royal Holloway, University of London, and is, among other things, a former co-editor of the short-lived International Journal of McLuhan Studies.

All right now, it's time to share the Call for Papers for EME, followed by a listing of the editors and editorial board:


Call for Submissions for Explorations in Media Ecology

All articles submitted should be original work and must not be under consideration by other publications.

Explorations in Media Ecology, the journal of the Media Ecology Association, accepts submissions that extend our understanding of media (defined in the broadest possible terms), that apply media ecological approaches, and/or that advance media ecology as a field of inquiry. As an interdisciplinary and multidisciplinary publication, EME welcomes contributions embracing diverse theoretical, philosophical, and methodological approaches to the study of media and processes of mediation through language, symbols, codes, meaning, and processes of signification, abstracting, and perception; art, music, literature, aesthetics, and poetics; form, pattern, and method; materials, energy, information, technology, and technique; mind, thought, emotion, consciousness, identity, and behavior; groups, organizations, affiliations, communities; politics, economics, religion, science, education, business, and the professions; societies and cultures; history and the future; contexts, situations, systems, and environments; evolution, and ecology; the human person, human affairs, and the human condition; etc.

EME publishes peer-reviewed scholarly articles, essays, research reports, commentaries, and critical examinations, and includes several special features. Our Pedagogy Section focuses on teaching strategies and resources, pedagogical concerns, and issues relating to media ecology education; we are particularly interested in articles that share great ideas for teaching (GIFTs) media ecology in the classroom. The Probes Section features short items that are exploratory or provocative in nature. Creative writing on media ecological themes can be found in our Poetry Section. Questions of concern to media ecology scholars are taken up in our Forum Section. And our Review Section includes individual book reviews and review essays.

EME is a refereed journal. Strict anonymity is accorded to both authors and referees. References and citations should follow the Harvard Referencing system, and the journal otherwise follows standard British English for spelling and punctuation.

Submissions can be uploaded online.

Direct inquiries to

Lance Strate, Editor
Callie Gallo, Managing Editor
Roy Christopher, Review Editor
Heather Crandall, Pedagogy Editor
Adeena Karasick, Poetry Editor
John Dowd, Forum Editor
Emanuela Patti, Forum Editor
Nora Bateson, Probes Editor
Michael Plugh, Probes Editor

EME Editorial Board

Editor: Lance Strate, Fordham University, USA
Managing Editor: Callie Gallo, Fordham University, USA
Editorial Assistant: Joshua Hill, Pennsylvania College of Technology, USA

Book Review Editor: Roy Christopher, University of Illinois, Chicago, USA
Pedagogy Editor: Heather Crandall, Gonzaga University, USA
Probes Editor: Nora Bateson, International Bateson Institute, Sweden
Probes Editor: Michael Plugh, Manhattan College, USA
Poetry Editor: Adeena Karasick, Pratt Institute, USA
Forum Editor: John P. Dowd, Bowling Green State University, USA
Forum Editor: Emanuela Patti, Royal Holloway, University of London, UK

Catherine Adams, University of Alberta, Canada
Robert Albrecht, New Jersey City University, USA
Corey Anton, Grand Valley State University, USA
Ronald C. Arnett, Duquesne University, USA
Eva Berger, The College of Management and Academic Studies, Israel
Sheryl P. Bowen, Villanova University, USA
Adriana Braga, PontifΓ­cia Universidade CatΓ³lica do Rio de Janeiro, Brazil
Jay David Bolter, Georgia Institute of Technology, USA
Kimberly Casteline, Fordham University, USA
James W. Chesebro, Ball State University, USA
Brian Cogan, Molloy College, USA
Ronald J. Deibert, University of Toronto, Canada
Susan Drucker, Hofstra Univesity, USA
Gerald J. Erion. Medaille College. USAv Peter K. Fallon, Roosevelt University, USAv Donald Fishman, Boston College, USA
Katherine Fry, Brooklyn College, USA
Thomas F. Gencarelli, Manhattan College. USA
Stephanie B. Gibson, University of Baltimore, USA
Twyla Gibson, University of Missouri, USA
Paul Grosswiler, University of Maine, USA
Gary Gumpert, Urban Communication Foundation, USA
Fernando GutiΓ©rrez, TecnolΓ³gico de Monterrey, Mexicov Maurice L. Hall, Villanova University, USA
Paul Heyer, Wilfrid Laurier University, Canada
Renee Hobbs, University of Rhode Island, USA
Lee Humphreys, Cornell University, USA
Octavio Islas, Universidad de los Hemisferios, Ecuador
Huimin Jin, Chinese Academy of Social Sciences, China
Alex Kuskis, Gonzaga University, USAv Elena Lamberti, University of Bologna, Italy
Dong-Hoo Lee, University of Incheon, Korea
Paul Levinson, Fordham University, USA
Yong Li, Henan University, China
Paul Lippert, East Stroudsburg University, USA
Robert K. Logan, University of Toronto, USA
Karen Lollar, Metropolitan State University, USA
Casey Man Kong Lum, William Paterson University, USAv Brett Lunceford, Independent Scholar, USA
Robert MacDougall, Curry College, USA
Brenton J. Malin, University of Pittsburgh, USA
Eric McLuhan, Independent Scholar, Canada
Paul Messaris, University of Pennsylvania, USA
Joshua Meyrowitz, University of New Hampshire, USA
Deepa Mishra, Univesity of Mumbai, India
Terence P. Moran, New York University, USA
Sheila Nayar, Greensboro College, USA
Julianne H. Newton, University of Oregon, USA
John Pauly, Marquette University, USA
Valerie Peterson, Grand Valley State University, USA
Borys Potyatynyk, Lviv Franko National University, Ukraine
John H. Powers, Hong Kong Baptist University, China
Harald E. L. Prins, Kansas State University, USA
Ellen Rose, University of New Brunswick, Canada
Heidi Rose, Villanova University, USA
Phil Rose, York University, Canada
Douglas Rushkoff, Queens College, USA
Joseph W. Slade, Ohio University, USA
Anthony Smith, Oxford University, UK
Paul Soukup, Santa Clara University, USA
Calvin Troup, Geneva College, USA
Edward Tywoniak, Saint Mary's College of California, USA
Sara van den Berg, Saint Louis University, USA
Barbie Zelizer, University of Pennsylvania, USA
Min Zhou, Shanghai International Studies University, China



And there you have it! To subscribe, beginning with my first volume, volume 16, you need to join the Media Ecology Association for this calendar year, 2017. Also, please ask your institution's library to subscribe to the journal. And by all means, submit your work to us! No need to be shy! And hey, we're only getting started...



Tuesday, August 15, 2017

Summer Reading for Roy Part 2

So, to follow up on my previous post, Summer Reading for Roy Part 1, I am now prepared to share with you this year's summer reading list, which was included in Roy Christopher's blog post of June 20th, Summer Reading List, 2017, where it appeared along with selections from other academics and intellectuals, including my Fordham University colleague Paul Levinson, and former colleague Alice Marwick.

If you read this post right after the last one, you'll notice certain resonances or connections, even more so than among the previous years. In any event, here it is:
Summer Reading List 2017

I don’t mean to brag, but I was very fortunate to be able to see the musical Hamilton on Broadway this spring, and that has wet my appetite for the biography that inspired Lin-Manuel Miranda, Alexander Hamilton by Ron Chernow (New York: Penguin, 2004). And from a different era of American history, I plan on reading American Gothic: The Story of America’s Legendary Theatrical Family—Junius, Edwin, and John Wilkes Booth by Gene Smith (New York: Simon & Schuster, 1992). In case you’re wondering why, Edwin Booth, who was the most famous stage actor of the 19th century, was the founder of the Players Club in Manhattan (Mark Twain was a co-founder), and over the past year I’ve been organizing events for the New York Society for General Semantics at the club, a historic building that once serve as Edwin Booth’s home (and still preserves the room that he lived, and died in).


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Reading biographical and historical accounts is one method of time travel, and I also intend to read up on the subject more generally by diving into James Gleick’s Time Travel: A History (New York: Pantheon, 2016). Time being a topic of great interest to me, another book on my summer stack is Now: The Physics of Time by Richard A. Muller (New York: W.W. Norton).


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Two books on language also have caught my eye and are on my pile, The Kingdom of Speech by Tom Wolfe (New York: Little, Brown & Co., 2016), and Words on the Move by John McWhorter (New York: Henry Holt, 2016).


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Some years ago, I read the first few books in the A Series of Unfortunate Events collection (New York: HarperCollins) by Lemony Snicket, and was unable to continue for reasons that had nothing to do with the books. I was very impressed with the originality and inventiveness of what I had read, especially the self-conscious, often self-reflexive play with language and literary conventions, really quite brilliant all in all. And with the recent adaption of the books as a Netflix series, I intend to go back to the beginning and read the entire set of 13 volumes: The Bad Beginning (1999), The Reptile Room (1999), The Wide Window (2000), The Miserable Mill (2000), The Austere Academy (2000), The Ersatz Elevator (2001), The Vile Village (2001), The Hostile Hospital (2001), The Carnivorous Carnival (2002), The Slippery Slope (2003), The Grim Grotto (2004), The Penultimate Peril (2005), and The End (2006).


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Lastly, I look forward to savoring the recently published collections from two of my favorite poets, Mata Hari’s Lost Words by John Oughton (Seattle: Neopoiesis, 2017), and Ego to Earthschool by Stephen Roxborough (Seattle: Neopoiesis, 2017).


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And that is that, at least until next year...





Monday, August 14, 2017

Summer Reading for Roy Part 1

So, for several years now, Roy Christopher has asked me to contribute to the Summer Reading List post on his blog, as one of a number of scholars and intellectuals who provide a list of books that we intend to read over the summer. And in the past I've reposted that list here on Blog Time Passing because, well, why not? Here now is a list of my previous entries:



And now, if you're chronologically minded, you may notice that there's no entry for 2016 on the above list. And the reason for that is not that I didn't do one, and if you don't believe me, you can check out Roy's post from last year, Summer Reading List, 2016. It's just that last summer I was hard at work finishing up my new book (see my previous post: Media Ecology: Some Details Regarding My New Book) and just didn't have time to do much blogging, and by the time I got back into the swing of things, summer was long over, and I just plain forgot about the summer reading list.

So, fortunately there's no statute of limitations on this sort of thing, so before sharing this year's list with you, let me fill you in on last year's summer reading list because, after all, the books are still worth listing, and reading.



Summer Reading List 2016

Here in New York, the Broadway musical Hamilton has been all the rage for the past year, so I have decided to start my summer reading off with The Federalist Papers, authored by Alexander Hamilton, James Madison, and John Jay (New York: Signet Classics, 2003, originally published 1787-1788 under the pseudonym of Publius). While we're on the subject of authors with the initials A.H., my list also includes Ends and Means: An Inquiry Into the Nature of Ideals by Aldous Huxley (New Brunswick, NJ: Transaction, 2012, originally published 1937).



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I recently received a copy of The Book of Radical General Semantics by Gad Horowitz with Colin Campbell (New Delhi: Pencraft International, 2016), and I would want to read it under any circumstance, but all the more so because I recently became president of the New York Society for General Semantics. I also plan on rereading Lewis Mumford's The Condition of Man (New York: Harcourt, Brace, 1944). And I have heard great things about the recent book by Rabbi Jonathan Sacks, Not in God's Name: Confronting Religious Violence (New York: Schocken Books, 2015), so that's on my list as well. 


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For scholars in the field of communication and media studies, Arthur Asa Berger is a familiar name, having authored many books on media and popular culture, and I look forward to reading his newest, Writing Myself into Existence (Seattle: NeoPoiesis Pres, 2016). Regarding communication, I also have on my list Reclaiming Conversation: The Power of Talk in a Digital Age (New York: Penguin, 2015) by Sherry Turkle, a scholar often included in media ecology circles. And on the related topic of the study of time, I am also including Jeffrey Jerome Cohen's Stone: An Ecology of the Inhuman (Minneapolis: University of Minnesota Press, 2015). 


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Poetry books play a prominent and pleasant role regarding summertime reading (and the rest of the year as well), and this year my stack includes a collection by David Ossman of Firesign Theatre, Marshmallows and Despair, (Seattle: NeoPoiesis Pres, 2015), and Rupi Kaur's Milk and Honey (Kansas City: Andrews McMeel, 2015). 


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My son has recommended the work of playwright Jenny Schwartz, so I'm also including two of her plays, God's Ear (New York: Samuel French, 2009), and Somewhere Fun (London: Oberon, 2013). Finally, there's a mystery novel I just have to read, Death by Triangulation by John Oughton (Seattle: NeoPoiesis Pres, 2015). 


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So, in case you were wondering, The Federalist Papers, Ends and Means, The Condition of Man, and Reclaiming Conversation, all played a role in the writing of my new book. And Stone was the subject of a book review I wrote for KronoScope, the official journal of the International Society for the Study of Time. 

And, now that I've taken care of last year's list, I'll get to this year's selections in my next post.




Tuesday, August 8, 2017

Media Ecology: Some Details Regarding My New Book

So, if you know me personally, or connect to me via Twitter, Facebook, or the Media Ecology Association's discussion list, this may not be news to you, but it's time to make the announcement here on Blog Time Passing, my official blog of record. And even if you have already got the message, I'll add some extra details that may make it worthwhile sticking around.

So here goes, drum roll and trumpets please: My new book, Media Ecology: An Approach to Understanding the Human Condition (New York: Peter Lang, 2017) is now in print and available for sale through Amazon and many other fine booksellers. Hurray!!!



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And here's the publisher's write-up of the book, a bit of promotional hyperbole there, but still it will give you an idea of what it's about, in case that's not entirely clear:


Media Ecology: An Approach to Understanding the Human Condition provides a long-awaited and much anticipated introduction to media ecology, a field of inquiry defined as the study of media as environments. Lance Strate presents a clear and concise explanation of an intellectual tradition concerned with much more than understanding media, but rather with understanding the conditions that shape us as human beings, drive human history, and determine the prospects for our survival as a species.

Much more than a summary, this book represents a new synthesis that moves the field forward in a manner that is both unique and unprecedented, and simultaneously grounded in an unparalleled grasp of media ecology's intellectual foundations and its relation to other disciplines. Taking as its subject matter "life, the universe, and everything," Strate describes the field as interdisciplinary and communication-centered, provides a detailed explication of McLuhan's famous aphorism, "the medium is the message," and explains that the human condition can only be understood in the context of our biophysical, technological, and symbolic environments.

Strate provides an in-depth examination of media ecology's four key terms: medium, which is defined in much broader terms than in other fields; bias, which refers to tendencies inherent in materials and methods; effects, which are best understood via the Aristotelian notion of formal causality and contemporary systems theory; and environment, which includes the distinctions between the oral, chirographic, typographic, and electronic media environments. A chapter on tools serves as a guide to further media ecological research and scholarship. This book is well suited for graduate and undergraduate courses on communication theory and philosophy.

And you gotta have blurbs, so here are mine (and I really do appreciate them, thank you Julie, Paul, and Josh!):

With characteristic passion and soulfulness, Lance Strate embarks on a metatask: to synthesize thinking about ‘life, the universe and everything’ through the lens of media ecology. In the process, he locates media ecology as the dynamic shift between figure and ground and as the basis for ‘understanding the human condition.’ Writing with an almost disarming ease that belies the complexity of the ideas he communicates, Strate brilliantly and reflexively mediates media ecology itself, bringing clarity to the KekulΓ©-like conundrums of an immense and increasingly relevant field. Anyone who thoughtfully enters and engages the environment of Strate’s book will be rewarded with moments of profound clarity, connecting ideas typically viewed as disparate or oppositional into patterns of deep understanding about media ecology―and about the process of living.―Julianne H. Newton, Professor of Visual Communication, University of Oregon 

Lance Strate’s synthetic thinking in Media Ecology: An Approach to Understanding the Human Condition opens up media ecology, allowing the reader to see how, as a field of inquiry, it applies to everything from language, media, and philosophy to our very understanding of what it means to be human living in a dynamic environment. Along the way Strate shows how media ecology connects with all the major approaches to communication study.―Paul Soukup, Professor and Chair, Department of Communication, Santa Clara University

Lance Strate asks big questions―and provides a myriad of perceptive answers. This book is at once playful, poetic, and precise. The clear writing about complex ideas is a pleasure to read and offers many gifts of understanding.―Joshua Meyrowitz, University of New Hampshire


And let me tell you about the cover. The publisher asked if I had  any instructions for the graphics designer, and I did have some ideas. One was the color, violet, like the color of the cover of Hannah Arendt's most influential philosophical work, The Human Condition:


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While the color isn't exactly the same, it does evoke Arendt's work, and her understanding of the human condition serves as a foundation for my own media ecological discussion of the conditions of human life, which is another way of saying the environments that shape and are shaped by our species. 

As an added bonus, violet also has a connection to New York University, home of the original, late lamented Media Ecology Program founded by Neil Postman and Terry Moran, who were soon joined by Christine Nystrom. While NYU's colors are purple and white, their athletic teams are called the Violets, and according to the Wikipedia entry on the NYU Violets

For more than a century, NYU athletes have worn violet and white colors in competition, which is the root of the nickname Violets. In the 1980s, after briefly using a student dressed as a violet for a mascot, the school instead adopted the bobcat as its mascot, from the abbreviation then being used by NYU's Bobst Library computerized catalog.


Additionally, for a period of time, I would join Postman, Nystrom, and others for lunch or a snack at an NYU eatery called The Violet. But I should also note that the way the colors turned out in different shades, the cover also offers a hint of Fordham University's school colors, maroon and white. Again, however, my main goal was to pay homage to Hannah Arendt.

In addition to the color scheme, the use of the three internally tangential circles follows one of the main diagrams included in the book, one depicting the three basic human conditions or media environments (the biophysical as the outer ring, the technological inside of it, and the symbolic as the inner ring; I used internally tangential circles rather than concentric circles because I wanted a point of intersection between the three, rather than having the symbolic fully cut off and separated from the biophysical by being surrounded by the technological, because there is direct interaction between the biophysical and the symbolic).

The way the three circles are arranged is also meant to evoke another book cover, one of the many editions of Marshall McLuhan's Understanding Media: The Extensions of Man, the most commonly cited work in the field of media ecology, and in many ways the work most central to it. The edition in question was one of the old pocketbook-sized paperback editions, with an image of a light bulb done up in Christmas-like colors:




I should note at this juncture that the original title I had in mind for this book was Understanding Media Ecology, and that goes back some two decades. But when I agreed to launch a new media ecology book series with the publisher Peter Lang,  they wanted a name for the series that would distinguish it from the Media Ecology series I had with Hampton Press, and I tossed out a few possibilities including Understanding Media Ecology, and that was the one they wanted to go with. So this book is, in fact, Volume 1 of Peter Lang's Understanding Media Ecology book series (this despite the fact that several books were published in the series prior to mine, a decision I had nothing to do with I hasten to add).






So I gave up my direct allusion to McLuhan's main work, and decided to go with a simpler and more direct title, Media Ecology. As for the subtitle, I use approach because it avoids the visual metaphor of perspective or even theory, as McLuhan and other media ecologists have been critical of the visualism of western culture, favoring acoustic metaphors instead; I also used this term because I wanted to place a certain degree of emphasis on media ecology as a method or way of understanding, a path, or tao if you like, and not just a field or intellectual tradition or set of theories. 

I did retrieve understanding in the subtitle to retain a connection to Understanding Media. And I had it read, An Approach to Understanding the Human Condition, to indicate the connection to Arendt, but also and perhaps more importantly to emphasize the fact that media ecology is about much more than media as the term is commonly understood. Indeed, media ecology is very much about the human condition, about the conditions that we exist within, that influence us, and are in turn influenced by us. Or to invoke Douglas Adams, as I do in the book, it's about life, the universe, and everything.

But back to what I was saying about the graphic design: I also suggested having the circles take up all or most of the front cover, and given their relative lengths, having my name in the innermost and smallest circle, having the book title in the middle circle, and having the rather longish subtitle in the outermost and largest circle. So, that was my input, and I am very, very pleased with the way it turned out. It's rather striking, don't you think?






Now, maybe you'd like to know a little more about the book before going ahead and buying it? To which, I respond, what's the matter, don't you trust me? But sure, I understand, so let's start with the book's own listings:






Does that help a bit? Maybe a little, but I bet a more detailed listing of the contents would be even better. I actually wanted to include a Table of Contents that included the breakdown by sections within each chapter, which I decided to number, following the example of Lewis Mumford in many of his books, but the publisher just went with the one I showed you above. (I have also incorporated the List of Illustrations here, which does appear in the book, and which are numbered according to their requirements, based on chapter number and order within the chapter.) What follows does not include the page numbers, since it was produced with the manuscript, before it went into page layout, but I think it will help provide more of a sense of what's in the book:


Contents

Illustrations
Figure 4.1 The Three Human Conditions/Media Environments
Figure 7.1 A Model of Communication Based on Formal Cause
Figure 8.1 The Ziggurat Model of the Oral Media Environment
Figure 8.2 The Ziggurat Model of the Chirographic Media Environment
Figure 8.3 The Ziggurat Model of the Typographic Media Environment
Figure 8.4 The Ziggurat Model of the Electronic Media Environment
Figure 8.5 The Alternate Ziggurat Model of the Electronic Media Environment
Figure 9.1 Pathways for Media Ecology Scholarship

Preface
 1: A First Word

Chapter 1   An Introduction
 1: Life, the Universe, and Everything
 2: Defining Media Ecology
 3: The Study and the Object of Study
 4: Field of Inquiry, Field of Study

Chapter 2   Intersections
 1: The Field of Communication
 2: Grammar, Linguistics, Semiotics, Aesthetics, Etc.
 3: General Semantics
 4: Information, Cybernetics, and Systems
 5: Media and Society
 6: Medium Theory
 7: Media Studies and Cultural Studies
 8: Human Ecology
 9: Psychology and Biology
10: Science and Technology Studies
11: History and Historiography
12: Futurology
13: Media Education and Media Literacy
14: Philosophy and Theology
15: Formalism and Materialities
16: Humanism
17: Technological Determinism
18: Praxis and Activism

Chapter 3   Understanding Media Ecology
 1: What Is Media Ecology?
 2: The Medium is the Message

Chapter 4   The Human Condition
 1: The Human Medium
 2: Nature and Culture
 3: The Technological Condition
 4: The Symbolic World

Chapter 5   Medium
 1: Understanding Media
 2: Media and Medium (A Note on Usage)
 3: From Printing to Mass Communication
 4: Transportation and Transmission
 5: Mediated Communication, New Media, Social Media
 6: Substance and Sensation
 7: Words
 8. Form
 9: Human Bodies as Media
10: Relationship
11: Technology and Technique
12: Environment and Process
13: Summation

Chapter 6   Bias
 1: The Bias of Communication
 2: The Nature of Bias
 3: The Myth of Neutrality
 4: Design and Function
 5: The Bias of the Medium

Chapter 7    Effects
 1: An Effects Tradition
 2: Impact and Ecology
 3: Some Basics Regarding Science and the Limits of Knowledge
 4: Causality
 5: Formal Cause
 6: Systems and Emergence

Chapter 8   Environment
 1: Me and Not-Me
 2: Ecosystems and Networks
 3: Towards a Media Eco-Logic
 4: Media Environments

Chapter 9   Tools
 1: Context Analysis
 2: Studying Media as Media
 3: Studying the Biases of a Medium
 4: Studying Effects
 5: Studying Environments

Chapter 10   Conclusion
 1: A Last Word

Index



And while I didn't get my author's copies of the book until later, according to Amazon, the book was officially published on the Fourth of July. So I guess you could say it represents an Independence Day of sorts, maybe in some ways for media ecology, certainly for me. What I mean is that, over the years, I have encounter many misunderstandings about media ecology, as well as a number of objections to various aspects of our field, and the book incorporates my responses to those misunderstandings and objections, and hopefully answers them in a way that might put them to rest (probably not, given that it's hard to change people's minds, even in the face of rational argument and evidence, but hope springs eternal). So, along with being a summary and new synthesis intended to move the field forward, it should also serve as a defense against the dark arts that have been aligned against media ecology over the years.

I do feel a certain sense of obligation to my mentors, Neil Postman and Christine Nystrom, and especially to Chris who tried her best to present media ecology as a coherent and organized field, rather than simply a series of probes and percepts. And in that sense, this was a book that I needed to write. I kinda had the feeling that if I died before this book was completed, my shade would not be able to rest easy. Which is also why the book is by no means all that it could be, because I had to limit what I would cover and the amount of time I would put into it, or the book would never have been finished (not to mention that I had word count limits imposed by the publisher, which I significantly exceeded). But with this book, I do believe I have fulfilled the obligation that I felt to Chris and Neil (an obligation that they never placed on me I hasten to add), as well as to my colleagues, students, friend, and fellow travelers, to media ecologists present and future. Whew!